Photographs on vinyl and ekphrastic poetry, 2022
Developed as part of the VICE Residency program with Exit 11 Performing Arts Company
Exhibited in “Peripheries” Group Show @ the Temporary Art Space in Eindhoven, Netherlands, 2022
Photosynesthesia is a collaboration by Nada Almosa & Leandro Reyes as part of the VICE residency by the Exit 11 Performing Arts Company. An exchange of art after art, Leandro and Nada responded to each others’ photographs with a photograph of their own. They then wrote ekphrastic poems in conversation with the photos.
Synesthesia translates to “perceive together”, or a “union of the senses.” A melting of the senses with one another. And so, Photosynesthesia is our fiction, to describe our impulse to “perceive together” a photo with a narrative. It is a game of association that is intuitive, mindful, and fantastical.
Image courtesy of Exit 11 Performing Arts Company
Photosynesthesia
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Wish-washed velvety suede
Pointed at a pronged fallen leaf
In pursuit of self-embrace
Through a witch’s glass
Nada
If I get lost look for my right boot, it has stains made
By the last person who owned it, I imagine snow and
Grease and snow with grease. If I get lost, know that
I must have surrendered, capriciously, to the spirit of
The dead leaf. Do not look for me. Look for my shoe.
Leandro
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Sleepy afternoon sunshine
Lulling dancing branches to slumber
A secret backyard sundial
Soothing the air-conditioned tiles
Nada
The mantis dances over the shadows to imitate the
Way the sink sounds when you wash dishes—slow,
Delicate violence. Clinks by design. Ceramic song.
I sing and the curtain allows me this disco—it never ends.
The window painted in rust. All by design.
Leandro
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Mossy river-shaven pebbles transported
To grayed concrete-laden grid cityscapes
Alluding to erased re-manufactured lands
Gratifying biophilic deprived breadwinners
Nada
Balance is organic. Stay still and watch it grow on you. It is
Green and waggish—jokey even. Fall down with me, darling,
I will break my arm for a good laugh, it will be worth every
Syllable. I’ll name the underarm crutches after you if you’d let me.
Stay down with me, darling, stay still, let your name grow on you.
Leandro
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A farmer’s woven shield laid to rest
Propped against a rusted greenhouse frame
Is accompanied by the humid-stricken box
Riddled with mystery dials and indicators
Nada
Stinky doesn’t even come close. So come close. Inhale my day,
Hold it in for six seconds, remember the orangeness of 1997
Sunsets, 5—an out of place flower in a vase, 4—don’t you wish
You were the one who named flowers, 3—you’re forgetful, very.
2—orchids will probably be used twice, 1—both of them will be
wrong.
Leandro
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A wire-thin flower’s stigma radiates
Fluorescent green luminosity, a deceiver of
Droopy metropolitan minds, hungering for
A birthright detailing the pre-anthropocene
Nada
Pretty-ass chandeliers. Am I right? Now that’s high art. it has to be
Electric, lofty, and dignified. In the name of the pinky finger,
Judge me, I will bend over and will not break. Neither will
I call myself brighter. The dullness you bestowed upon me
Is irrelevant to my yearning for pretty-ass stains over these
Garments, again, all by design, to cover my pretty-ass ass.
Leandro
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Dal-scented booth coated in pastel reflections
Invites reminisces of labyrinth-infused
string lights and festooned rituals of joy
Chaperoned by fleeting friendships
Nada
The glass reflects light, unexpectedly accurate, it disappoints me.
Brightness should not be easy. If this persists, I will lobby to
social-cancel phosphate cause—cause how dare she.
Leandro
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Cyanotype treated blueprint of a Starbucks
In Manilla, Ammonium Ferric Citrate infused
Memory captivity, scented with Potassium
Ferricyanide nostalgia and leaf-shaped foam
Nada
If you squint hard enough, blue isn’t so bad. Drown, with me, in this
Cozy, stream of wood, nutmeg in the air, and sidewalks. Sidewalks are ideas
That we visit every now and again, with stray cats who know earth as bed,
Concrete as home.
Leandro
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Accidental astigmatism of the phone camera
Confiscates unintentional moments and
Transforms night-lights into neon-gooey
Twinkle twinkle little stars of wonder
Nada
I love you, my kerosine laden dream, do you believe it? If you don’t, let me
Turn into the currency you can buy jade with, afford a quiet with me someday,
If you let me, we will spend it fast and make the wind work for its worth inside us.
Permit me, please, this expense. Imagine the jingle of keys, miles and miles from here.
Leandro
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Grainy sunset sets precedence over
School-night curfew, no consequence will
Expedite my walk home, as I inhale
Pixelated grass and globulated trees
Nada
When the cows learned how to turn their milk pink, the grass actually grew greener, the bees learned mooing and clouds followed soon. The sundown grew thirsty. This is how I know I am not a drawing, I am incapable of turning pink—no, I don’t want to believe it. No? Don’t you want to lift my shirt and see pathetic-skin-only skin, in all its non-pinkness. The buckets I own are non-metal. Vanilla, compared to cows, compared to pink milk cows.
Leandro
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Relentless roots and vivacious vines
Stand firm and overtake mislabeled land
Olive-branch scented but the dove don’t
Smile, claws bloodied from the land to the sea
Nada
Explain to me disaster, said she,
while asking the vine to crawl sideways.
Injury from falling is more pathetic
than unfortunate. In response, I mumble:
explain to me unfortunate.
Leandro
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Monsoon mud-caked shrine sworn to
Hello Kitty divinity lost its celestial
Shine, as devotion dwindled and its
Young follower moved to a new home
Nada
Drool. Don’t puke in the lababo baby. Kiss me
Before your lungs give out. May I have this dance?
Picture me crawling towards your bed, this is how
I begin to fail, take me as the remembrance of
Your best mistakes—the prettiest too.
Leandro
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Toys rally against a local housing crisis
as Madinat Zayed shopkeepers spur
Immigration of the melting-pot worthy, toying
With the livelihoods of the mass-manufactured
Nada
I’ve lost so much to collected things. Contained
My urge to forget the teddy bear witness to all
We utter under aphonia. I’ll love you again
When your shrill comes back. For now, neon lights.
For now, makeshift ornaments for a passable Christmas
Don’t go running off too far. I cure quick.
Leandro
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Messenger-snail side-tracked by delectable
Autumn leaves, will find infuriated pixies
Awaiting their promised parcels, wrapped in
Bark and twine, glued shut with mucus
Nada
I digress. Pardon my honesty, you look pretty on stone.
Somewhere in Taiwan is a shell. I will look for it when
I’m gone. And pretend to give it to you after you’re gone.
Speed was never your speed anyway. Sit pretty for me
In the meantime, we still have a lifetime to waste.
Leandro
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Nomadic fae capitalize on itsy-bitsy
Shrooms mimicking seasonal Fall
Leaves as temporary dwellings, their
Pit-stops of mischief and horseplay
Nada
CUT!!! When the lights shut off. I start yearning for your
Sunroof again. Your mother’s a pretend movie star who
Spends way too much on food. No wonder you speak in
Mushroom, say my name again, please. Extravagant. Kiss.
Rolling, rolling. Test me, I’m not as rooted as you are.
Leandro
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Paganistic forest hares deify the
Maternal cicerone who composes
Forestal topographies conducive to
Burrowing new homes for their babes
Nada
When you look at me like that, I imagine running through heath,
Not necessarily with you, but not necessarily without either. I see
How you can’t see me hopping through sharp stones and undertreated
Land. Barefoot of course, otherwise, safe. Loving is never safe. It is looking
Always. Like this eye-to-eye thing, dangerous as a jackhammer.
Leandro
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Chin Swee caves’ guardian lays dormant
Coated in a thin film of bird excrement
Grinning in its sleep for the day it is
Called to safeguard its temple
Nada
Because your shadow smiles like a cartoon and try to spell out
All the knocks in morse. You use mishearings in your poem
And your muse is always sleepy. Your writing, a self portrait
Done in animated doodles. Because you’re in love with your
Own lungs, because you recognize my knocks, all of them.
Leandro
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A siren’s painted mask and beaded hair
Obscures her true sinister nature, as the
Song sinks its anesthetic influence into
Unsuspecting spectators of her theater
Nada
The shine on my cheeks is supposedly soft and can’t be toyed
With, I found the paint in my nails spelling worry for my mother
She raised me mighty and collared accordingly. I’m supposed to
Have strong bones and this is how I learned that families are
Just pyramid schemes. May I fall, fast and quick, and in love.
Leandro
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Item Tinkling in a customers-only toilet
With a view of peeling promises and
stickered dreams, nurturing new confidence
As you pass the stall keys to the next in line
Nada
Filed under things that might ruin me is an empty folder with
Your neighbor’s name on it. Can you please make sure that
They know how to sing before they get it. I have traded a lot
Of skinned knees for the decent adulthood I didn’t get. Let them
Know I am rooting for them and their devices.
Leandro
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Dragonfruit claims its first cave lair
Yet to be filled with hoarded trophies
And treasures, though brimming with
Ambition and ready to face its first knight
Nada
One day I will have the appropriate amount of flavor
For your taste. For today, let me be shelved for later,
I will let you know when I learn how to throw
a party and catch a ball, I am saving all my teeth for when
you allow yourself to become the fairy. I’ll be sweet, I promise.
Leandro
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Andalusian fantasies and a farmer’s
Resting place, encased in soft blue of
Painted wooden shades, a kitten’s
Mewling and distant mirthful brays
Nada
A white worm connected to my phone. Surging with ideas
I will save for later, this is how I will defend you, with
Promo codes, tunic, and rock and roll. You will never need
To be double windowed again. You will need irony as a
Second shelter in case my words fail you. Bring a blanket,
Baby, it’s cold inside.
Leandro